When should performers watch the drum major? When should they listen
back to the drumline? Don't you wish there was a way to define various
listening and watching zones on the field so that everyone understood
in an easy-to-define language? Well, we have figutred it all out in
Dynamic Music- In the Mix with Michael McIntosh explaining it to you.
This video is a "teaser" of what is on the DVD. (Without all the bells
and whistles, of course.)
